Unformed / 形之未形
“...........Architecture exists not only in physical matter, but as a constellation of images, thoughts, and inquiries. It is projection, it is trace, it is presence in the process of becoming—form that gains meaning through its un-formedness, structure that emerges in the act of seeing. In phenomenology and media theory, the “object” is never merely a thing—it may also be the carrier of consciousness, a vessel of reflection. Architecture can be sensed in images, constructed in memory, and perhaps even embodied in AI-generated visuals. These may not be material, yet they are structured; they may lack mass, yet embed perception............”I work at the intersection of architecture, media, image, and narrative.
I challenge:
His work explores the intersection of architectural theory, art history, and sociopolitical narratives, with additional interests in formal experimentation and the theoretical dimensions of image-based media, including visual culture, semiotics, and the politics of representation.
His academic and research practice includes serving as a Research Assistant at The SOURCE and as part of the Multilingual Narratives project, where he collaborated on linguistic segmentation and interdisciplinary coding methodologies. He has exhibited work at the Everson Museum of Art with Drawing Architecture studio and also organized the City Scripts exhibition at Syracuse. His professional experience includes working at Büro Ole Scheeren, contributing to large-scale urban and architectural design.
He has been recognized in ten more international competitions, including an Honorable Mention in the 2024 eVolo Skyscraper Competition, Second Prize in the 2023 NYS Mass Timber Design Competition, Silver Prize in the 22nd Asian Design Award.